The Nature of Conceptual Metaphor: Embodiment

Part 6: Metaphor and Interpretation – Intro, Aristotle, Augustine, Aquinas, Enlightment

(This post adapted from doctoral seminar I led discussing two books – Metaphors We Live By, Lakoff and Johnson; The Way We Think, Fauconnier and Turner. There are no footnotes or references, but majority of the material is drawn from these works.)

Conceptual Metaphor Theory (CMT) questions the dominant Western Theory of Metaphor (WTM) at the most basic level – the nature of metaphor. Is metaphor a matter of words (its nature to describe one thing in relation to another) or is metaphor a matter of thoughts and actions (its nature to understand and experience one thing in the terms of another)?

To recap, WTM says a metaphor is a linguistic devise useful for explaining something abstract by referring to something more concrete. Thus, a metaphor is a matter of language and in reality just a rhetorical flourish. On the other hand, CMT assumes a metaphor is conceptual or cognitive. Thus, a metaphor is able to produce thoughts and transform actions not just describe them.

To oversimplify, we act based upon our conceptual system, according to the way we conceive of things. This conceptual system is constructed upon cognitive concepts (will leave the science for another post) that govern how we think by structuring how we understand and relate to situations. CMT proposes metaphors are the basic cognitive concepts upon which our conceptual system is built. CMT advances the case that an elaborate system of conceptual metaphors lies at the core of our human mind providing an underpinning for our imagining, knowing, acting, communicating, and creating. This system of conceptual metaphors, grounded in physical and social experiences, is a means by which we use our experiencing of one thing to not only explain something else, but to actually experience something else. In this way, metaphors shape our experiences and in so doing generate meaning through providing coherence and structure to our thought. A metaphorical structure of human thought suggests that metaphors are capable of providing new meaning to the past, to daily activity, and to what is hoped for in the future; metaphors have the ability to generate new realities. Lakoff and Johnson labelled this phenomenon embodied metaphor because they influence the way we think and act.

Consider these examples: (how they are reflected in our language)

Time is Money

  • You are wasting my time
  • How do you spend your time these days?
  • Time is running out.
  • You need to budget your time.
  • Is it worth your while?

Love is a Journey

  • Look how far we have come.
  • Our relationship has gotten off track.
  • We need to go our separate ways.
  • We are at a crossroads.

Love is War

  • He pursued her relentlessly.
  • He won her hand in marriage.
  • She fought for him.
  • She enlisted the aid of her friends.

WTM states these examples are descriptions only whose sole purpose is to clarify ambiguous meanings. Time is not really money, nor do we actually treat it like money, we only use the common concept of money to help us understand time. CMT, however, proposes metaphors work at a deeper level. To think of love as a journey or war means it structures the way we envision being in love and go about trying to find love.

Imagine two people meeting and forming a relationship. One comes with the idea love is a journey and the other love is war. Does this only matter for how they describe their relationship or will it actually inform the manner in which they engage their relationship? This is the fundamental difference between WTM and CMT, WTM says a metaphor describes and CMT says a metaphor acts.

The next two posts will dig deeper in CMT by examining how different metaphors blend and how to map a metaphor.

Metaphors and Interpretation

This repost is the introduction of a conference paper I presented last year. It is a quick summary of the connection I see between conceptual metaphor theory and narrative interpretation. Much of what I post the next few Monday’s will unpack these ideas.

Since the works of Aristotle, the dominant Western theory of metaphors has been they are a linguistic devise useful for explaining something abstract by referring to something more concrete. Recent studies in the field of cognitive linguistics, however, have suggested that metaphors are mental operations capable of blending mental spaces to shape meaning. In other words, metaphors are not merely linguistic expressions but conceptual and thus capable of lending coherence and structure to thought.

These studies advance the case that an elaborate system of conceptual metaphors lies at the core of our human mind providing an underpinning for our imagining, knowing, acting, communicating, and creating.[1] This system of conceptual metaphors, grounded in physical and social experiences,[2] is a means by which we use our experiencing of one thing to not only explain something else, but to actually experience something else. In this way, metaphors shape our experiences and in so doing generate meaning through providing coherence and structure to our thought. A metaphorical structure of human thought suggests that metaphors are capable of providing new meaning to the past, to daily activity, and to what is hoped for in the future; metaphors have the ability to generate new realities.[3]

But a question remains, if metaphors are conceptual and capable of generating new realities how are they arranged or aligned so that they are useful? According to cognitive linguists, such as Mark Turner, story is the essential organizational principle of the mind. Much of our experience, our knowledge, and our thinking is organized in story because story is able to project one experience onto another in an effort to construct meaning.[4] At this point conceptual metaphor theory and literary hermeneutics merge, since story’s ability to project and thereby generate meaning is nourished by the system of conceptual metaphors from which it feeds. To borrow a phrase from Richard B. Hays, the system of conceptual metaphors is the substructure of story.[5] Story is the basic means of aligning the array of metaphors stored from past physical and social experiences to give significance to our present situations and experiences. In the terms of cognitive linguistics, story blends conceptual metaphors with our present situation resulting in the generation of new cognitive schemas that are able to give innovative meaning to past events and provide a new frame of reference for the present and future.[6]


[1] Fauconnier 1997.

[2] A conceptual metaphor’s grounding in physical and social experience is why some refer to this field as the “Embodied Mind.”

[3] Lakoff, Johnson 1980.

[4] Turner 1996.

[5] Hays 2002.

[6] Fauconnier, Turner 2002.

Winter Reading Plan – No New Books!

I love to read…and my great weakness is new books. I am constantly acquiring books for my already tall “to read” tower. Yet, maybe ironically, I find that this pile is one of the greatest hindrances when it comes to enjoying what I am reading.

My expectation of the next book eclipses my attentiveness to the book I am holding in my hand. Especially as I get towards the end of the book, probably the place I should be paying the most attention, my mind starts to move on to what I will read next.  Now, if this only happened with bad books I would not consider it a problem, but it happens with most of the books I read. I realize one way to solve this problem would be to stop buying books, but I am not ready for this draconian of a step (although I am pretty sure my wife is!). My solution, however, has been to install a winter reading plan.

For the last few years, I have not allowed myself to read a new book for all of December and January. Instead, in December and January I re-read my favorite books from the past few years. December is set aside to re-read my favorite non-academic (non-PhD research) books from the past few years. In December, I re-read my favorite two books from this year, my favorite two books from the previous year and one classic text. Also, in December ,I re-read the four gospels as a lead up to Christmas. Since in my research I work in Paul’s letters, it serves as a nice break and also a reminder there is this person named Jesus and he actually did a few things before the cross and resurrection! January is set aside to re-read my favorite (or the most important) books from my research. In January, depending on their length and complexity, I will re-read 4-5 books that have most shaped my research. This usually includes titles from this year and from past years. Also, I will read Galatians, the primary focus of my research, in Greek plus one English translation each week.

I have found that this little method allows me to really enjoy these books and also has carry over effects for my reading throughout the year. December and January have also become a very fruitful time for my own research. December, with no real inflow of academic works, has become a time for my thoughts to crystallize helping me to formulate a mental sketch of my research for the coming year. January has been a time for me to remember the reasons I started this research in the first place and to regain my bearings.

Here are my selections for this December and January:

December –

  1. from this year: Quiet by Susan Cain, The Pastor by Eugene Peterson
  2. from last year: Blink by Malcolm Gladwell, beautiful boy by David Sheff
  3. classic: On Christian Doctrine by Augustine

January –

  1. Recovering Paul’s Mother Tongue by Susan Eastman
  2. Because You Bear His Name by Bonnie Howe
  3. The Mysticism of Paul the Apostle by Albert Schweitzer
  4. Paul by William Wrede
  5. The Way We Think by Giles Fauconnier and Mark Turner

There it is, but for now back to the pile…I still have five days to hurry through a few more books!

George Lakoff, Conceptual Metaphors, and Biblical Interpretation

This is not a traditional book review for this Monday, more of a concept review. I am scheduled to give a paper next week on how conceptual metaphors lend coherence and structure to arguments/narratives. This post is the initial draft of the opening of my paper where I try to concisely explain conceptual metaphor theory. Would appreciate any and all comments…

Since the works of Aristotle, the dominant Western theory of metaphors has been they are a linguistic devise useful for explaining something abstract by referring to something more concrete. Recent studies in the field of cognitive linguistics, however, have suggested that metaphors are mental operations capable of blending mental spaces to shape meaning. In other words, metaphors are not merely linguistic expressions but conceptual and thus capable of lending coherence and structure to thought.

These studies advance the case that an elaborate system of conceptual metaphors lies at the core of our human mind providing an underpinning for our imagining, knowing, acting, communicating, and creating.[1] This system of conceptual metaphors, grounded in physical and social experiences,[2] is a means by which we use our experiencing of one thing to not only explain something else, but to actually experience something else. In this way, metaphors shape our experiences and in so doing generate meaning through providing coherence and structure to our thought. A metaphorical structure of human thought suggests that metaphors are capable of providing new meaning to the past, to daily activity, and to what is hoped for in the future; metaphors have the ability to generate new realities.[3]

But a question remains, if metaphors are conceptual and capable of generating new realities how are they arranged or aligned so that they are useful? According to cognitive linguists, such as Mark Turner, story is the essential organizational principle of the mind. Much of our experience, our knowledge, and our thinking is organized in story because story is able to project one experience onto another in an effort to construct meaning.[4] At this point conceptual metaphor theory and literary hermeneutics merge, since story’s ability to project and thereby generate meaning is nourished by the system of conceptual metaphors from which it feeds. To borrow a phrase from Richard B. Hays, the system of conceptual metaphors is the substructure of story.[5] Story is the basic means of aligning the array of metaphors stored from past physical and social experiences to give significance to our present situations and experiences. In the terms of cognitive linguistics, story blends conceptual metaphors with our present situation resulting in the generation of new cognitive schemas that are able to give innovative meaning to past events and provide a new frame of reference for the present and future.[6]


[1] Fauconnier 1997.

[2] A conceptual metaphor’s grounding in physical and social experience is why some refer to this field as the “Embodied Mind.”

[3] Lakoff, Johnson 1980.

[4] Turner 1996.

[5] Hays 2002.

[6] Fauconnier, Turner 2002.